Lament for Donoch an Bhaile-aodha

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History
tunes, plough whistles, &c.
voice up to a third, fifth, or octave--a common practice in laments, nur
about a crotchet. Occasionally he ended the cronaun by suddenly sliding
prolonged ad libitum: the change from ee to oo being made at intervals o
repetition of the two vowel sounds, ee-oo ee-oo ee-oo, &c., which was
chanted, in monotone, a sort of cronaun consisting simply of the continu
learned of course from older people:--To the note D at the end of the ai
As to Phil Gleeson's traditional manner of singing the ode--which he
Carrigaline, 8 miles S.E. of Cork.
commemorate the death of Donogh Mac Carthy of Ballea Castle near
commonly called Tadhg Gaodhlach, "Timothy of the Irish Compositions," to
a well-known Munster Gaelic poet of the 18th century, Timothy O'Sullivan
found in Hardiman's "Irish Minstrelsy," vol. ii, p. 272. It was compose
me by Phil Gleeson: but there is no need to give it here, as it will be
The Irish ode, or lament, of which the following is the air, was sung
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X:36 T:Lament for Donoch an Bhaile-aodha R:song air H: The Irish ode, or lament, of which the following is the air, was sung H:r H:me by Phil Gleeson: but there is no need to give it here, as it will be H:found in Hardiman's "Irish Minstrelsy," vol. ii, p. 272. It was compose H:by H:a well-known Munster Gaelic poet of the 18th century, Timothy O'Sullivan H: H:commonly called Tadhg Gaodhlach, "Timothy of the Irish Compositions," to H:commemorate the death of Donogh Mac Carthy of Ballea Castle near H:Carrigaline, 8 miles S.E. of Cork. H: As to Phil Gleeson's traditional manner of singing the ode--which he H:learned of course from older people:--To the note D at the end of the ai H:he H:chanted, in monotone, a sort of cronaun consisting simply of the continu H: H:repetition of the two vowel sounds, ee-oo ee-oo ee-oo, &c., which was H:prolonged ad libitum: the change from ee to oo being made at intervals o H: H:about a crotchet. Occasionally he ended the cronaun by suddenly sliding H:is H:voice up to a third, fifth, or octave--a common practice in laments, nur H: H:tunes, plough whistles, &c. B: M:2/4 L:1/8 K:D "Slow"d|ff gg|aa ga|f3 d|ff fd|fe dd|Hd3||d| aa ga|fe/d/ cd|{e/}Hf3 {g/e/e/d/}d|ff fd| e>dc/A/ FG/E/|E4||d2 d2|d2 d2|d2 d2||
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